There is a noticeable change (4:02) with a lot of noise on the tape (“hiss”) not previously present in this track, in the words of George and Paul: “Reload our stomachs? … Reload our stomachs too” (recorded the same day several minutes before, after “Take 16D”of “The Long and Winding Road”, EMI Tape E90523-8T and NAGRA Roll 564 Take16 A and 1152 Take16 B), which by the way is edited for the mix #4 of 1970 by omitting the word “too”. It looks like a recreation of Glyn’s 1969 mix #3 but using two different sources. This is the same Take 27 used for the single but without the additional overdubs made in the early 1970. Januwith a guitar overdub by George recorded April 30, 1969.(This same bootleg apparently was also used as a reference for “For You Blue” – see below – with the wrong mix of 1970 instead of 1969). Ebbetts’, which is the only bootleg in circulation that coincidentally uses some mixes from 1970, mistaking them as “1969”. Apple may have relied on the bootleg disc entitled “Get Back – Glyn John’s Mix # 1 ” from ‘Dr. The original 1969 mix with the “glitch” (on any of Jones’ three 1969 compilations) will remain available only on bootlegs. The only difference between the three Glyn Johns mixes from 19 for this song is a “glitch” on the original tape that is heard right at the beginning when the tape started recording for the 1970 mix Glyn “fixed” it so that it was no longer noticeable and is the mix used in this official release. ![]() Janu(EMI Tape E90492-8T and NAGRA Roll 424 A). Session Recording: Studio : Apple Studios, 3 Savile Row, Londonĭetails & description coming from Mike Carrera - published on The Daily Beatle ![]() ‘Anthology 3’ includes 10 seconds at the end that were omitted here, with Paul’s dialogue suggesting playing some notes as classical music (they only left John’s reply “What’s that?” here) the rest of the track (1:32-2:48) is available on the NAGRA Roll 411 A that began recording again precisely from these words of McCartney. It is possible that this insert was recorded even before the full rehearsal, but without the NAGRA tape available in this short sequence it is difficult to know and not even if we put the two official sources (‘Anthology 3’ and ‘Let it Be 50th’) together will we be able to get the whole segment. ![]() ![]() Still, there is an edit at 0:59 with different electric guitar chords and slower speed with what appears to be the end of another short rehearsal edited perfectly right after the phrase “Tuesday’s on the phone to me” (in ‘Anthology 3’ the track continues from the phrase “She said she’d always been a dancer” and until the end of the rehearsal, two minutes and five seconds later) so now we have a previously unavailable 32-second segment (0:59-1:31) before there is another edit on this track at 1:32. Drastically edited compared to ‘Anthology 3’, only the first 58 seconds have been left here (including Paul’s count-in that appears for the first time). (EMI Tape E90489-8T) previously available in full on ‘Anthology 3’ (at a slightly faster speed, possibly adjusted on this new 2021 mix to try and match the edit at 0:59) only a fragment of the end of this sequence was recorded by the NAGRA Roll 411 A, so it is difficult to compare the edits and cuts made in the official releases.
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